From 59e63e0de6352c93a2532efacdae3856ca844d83 Mon Sep 17 00:00:00 2001 From: Set Hallstrom Date: Wed, 8 May 2013 16:22:54 +0300 Subject: [PATCH 01/10] Update membership_contract.txt grammar and typos --- membership_contract.txt | 34 +++++++++++++++++----------------- 1 file changed, 17 insertions(+), 17 deletions(-) diff --git a/membership_contract.txt b/membership_contract.txt index d4fb1b0..6cff507 100644 --- a/membership_contract.txt +++ b/membership_contract.txt @@ -6,14 +6,14 @@ I. Basics 1. Signing with -When signing this document, the artists consents and proudly acknowledge: +When signing this document, the Artists consents and proudly acknowledge: A) That he/she/they is/are a member of the syndicate, -artist community and organization. +Artist community and organization. B) That he/she/they trust to work for the betterment of music and the art of music, while promoting their work. C) Finally, that the beauty in this contract is the mutual respect -and freedom given between and the artist(s): THIS +and freedom given between and the Artist(s): THIS CONTRACT IS NONE EXCLUSIVE. You remain free to move without . remains free to move without you. @@ -23,37 +23,37 @@ II. Rights agreements and overstandings. 1. Recordings: A) All the rights, including executive rights of the music belong -to the artist. The artist may use his work in the ways he can imagine +to the Artist. The Artist may use his work in the ways it can imagine or need. However the use of this right may not interfere with the marketplaces sorted by , without a 12 month -pre-notification. In clear text you cannot sell your record in a form +pre-notification. In clear text, as the Artist you cannot sell your record in a form is already selling it in, until 12 month after you asked basspitsol.com to stop selling it. This is only to avoid doubloons. B) The percentage taken on physical releases (read vinyl, CD, or prestidigital objects) has to be agreed before release date and is set -between the artist and depending on the financial -investments made by the artist self. However may only +between the Artist and depending on the financial +investments made by the Artist self. However may only take enough from the benefit genreated to cover eventual production costs. (read: we don't make profit) 2. Performances - A) In the case where an artists finds a gig by himself or through -another agency. The artist has no financial obligation towards + A) In the case where an Artist finds a gig on its own or through +another agency. The Artist has no financial obligation towards - B) has no obligation to find gigs to artists. + B) has no obligation to find gigs to Artists. C) Bellow 241 Euros benefit on gigs sorted by , the -artist keeps it all. takes a percentage of 17% on gigs +Artist keeps it all. takes a percentage of 17% on gigs sorted by generating more than 241 Euros benefit, after the following logistics costs have been covered: 1 meal per day, transport in and out and accommodation. This 17% will be used to -reinvest in the artists production on (CD, Vinyl, +reinvest in the Artists production on (CD, Vinyl, prestidigital, merch etc...) 3. Promotion - A) has the right to use the signed artists name and -image in anyway it can figure as a profitable one to the artist and + A) has the right to use the signed Artists name and +image in anyway it can figure as a profitable one to the Artist and the label. B) The Artist proudly agrees to put the name of the label "" in written form in all promotional material. Given that @@ -61,7 +61,7 @@ this promotion is not serving the interest of another agency that explicitly want it to be omitted, or when the promotion for any reason could harm the image of as an organization focusing on quality music. - C) The artist understands the importance to communicate future gig + C) The Artist understands the importance to communicate future gig dates and takes the responsibility to inform of his/her/their movements. @@ -73,7 +73,7 @@ III. Duration of the contract and form. This contract last from the day signed to eternity, and can be canceled by notifying of the desire to leave to label 12 months in advance. However, In the rare but plausible case where -the artist wouldn't like to be associated with the label anymore. +the Artist wouldn't like to be associated with the label anymore. accepts to stop selling the music, and removing any press related material from its server. While it retains the right to play all music that has been released through , broadcast @@ -83,7 +83,7 @@ http://, or not. 2. Form - The artist may sign with his blood, but it is not mandatory. + The Artist may sign with his blood, but it is not mandatory. FOOTNOTE: From 87a50667b6dc1ff520b837b0621687f9ec834ad3 Mon Sep 17 00:00:00 2001 From: Set Hallstrom Date: Wed, 8 May 2013 16:25:49 +0300 Subject: [PATCH 02/10] Update membership_contract.txt --- membership_contract.txt | 71 ++++++++--------------------------------- 1 file changed, 14 insertions(+), 57 deletions(-) diff --git a/membership_contract.txt b/membership_contract.txt index 6cff507..158180d 100644 --- a/membership_contract.txt +++ b/membership_contract.txt @@ -8,78 +8,38 @@ I. Basics When signing this document, the Artists consents and proudly acknowledge: - A) That he/she/they is/are a member of the syndicate, -Artist community and organization. - B) That he/she/they trust to work for the betterment of -music and the art of music, while promoting their work. - C) Finally, that the beauty in this contract is the mutual respect -and freedom given between and the Artist(s): THIS -CONTRACT IS NONE EXCLUSIVE. You remain free to move without -. remains free to move without you. + A) That he/she/they is/are a member of the syndicate, Artist community and organization. + B) That he/she/they trust to work for the betterment of music and the art of music, while promoting their work. + C) Finally, that the beauty in this contract is the mutual respect and freedom given between and the Artist(s): THIS CONTRACT IS NONE EXCLUSIVE. You remain free to move without . remains free to move without you. II. Rights agreements and overstandings. ---------------------------------------- 1. Recordings: - A) All the rights, including executive rights of the music belong -to the Artist. The Artist may use his work in the ways it can imagine -or need. However the use of this right may not interfere with the -marketplaces sorted by , without a 12 month -pre-notification. In clear text, as the Artist you cannot sell your record in a form - is already selling it in, until 12 month after you -asked basspitsol.com to stop selling it. This is only to avoid doubloons. - B) The percentage taken on physical releases (read vinyl, CD, or -prestidigital objects) has to be agreed before release date and is set -between the Artist and depending on the financial -investments made by the Artist self. However may only -take enough from the benefit genreated to cover eventual production -costs. (read: we don't make profit) + A) All the rights, including executive rights of the music belong to the Artist. The Artist may use his work in the ways it can imagine or need. However the use of this right may not interfere with the marketplaces sorted by , without a 12 month pre-notification. In clear text, as the Artist you cannot sell your record in a form is already selling it in, until 12 month after you asked basspitsol.com to stop selling it. This is only to avoid doubloons. + B) The percentage taken on physical releases (read vinyl, CD, or prestidigital objects) has to be agreed before release date and is set between the Artist and depending on the financial investments made by the Artist self. However may only take enough from the benefit genreated to cover eventual production costs. (read: we don't make profit) 2. Performances - A) In the case where an Artist finds a gig on its own or through -another agency. The Artist has no financial obligation towards - + A) In the case where an Artist finds a gig on its own or through another agency. The Artist has no financial obligation towards B) has no obligation to find gigs to Artists. - C) Bellow 241 Euros benefit on gigs sorted by , the -Artist keeps it all. takes a percentage of 17% on gigs -sorted by generating more than 241 Euros benefit, after -the following logistics costs have been covered: 1 meal per day, -transport in and out and accommodation. This 17% will be used to -reinvest in the Artists production on (CD, Vinyl, -prestidigital, merch etc...) + C) Bellow 241 Euros benefit on gigs sorted by , the Artist keeps it all. takes a percentage of 17% on gigs sorted by generating more than 241 Euros benefit, after the following logistics costs have been covered: 1 meal per day, transport in and out and accommodation. This 17% will be used to reinvest in the Artists production on (CD, Vinyl, prestidigital, merch etc...) 3. Promotion - A) has the right to use the signed Artists name and -image in anyway it can figure as a profitable one to the Artist and -the label. - B) The Artist proudly agrees to put the name of the label -"" in written form in all promotional material. Given that -this promotion is not serving the interest of another agency that -explicitly want it to be omitted, or when the promotion for any reason -could harm the image of as an organization focusing on -quality music. - C) The Artist understands the importance to communicate future gig -dates and takes the responsibility to inform of -his/her/their movements. + A) has the right to use the signed Artists name and image in anyway it can figure as a profitable one to the Artist and the label. + B) The Artist proudly agrees to put the name of the label "" in written form in all promotional material. Given that this promotion is not serving the interest of another agency that explicitly want it to be omitted, or when the promotion for any reason +could harm the image of as an organization focusing on quality music. + C) The Artist understands the importance to communicate future gig dates and takes the responsibility to inform of his/her/their movements. III. Duration of the contract and form. --------------------------------------- 1. Duration - This contract last from the day signed to eternity, and can be -canceled by notifying of the desire to leave to label -12 months in advance. However, In the rare but plausible case where -the Artist wouldn't like to be associated with the label anymore. - accepts to stop selling the music, and removing any -press related material from its server. While it retains the right to -play all music that has been released through , broadcast -all music that has been released through and graphically or -historically include the work in its discography present at -http://, or not. + This contract last from the day signed to eternity, and can be canceled by notifying of the desire to leave to label 12 months in advance. However, In the rare but plausible case where the Artist wouldn't like to be associated with the label anymore. + accepts to stop selling the music, and removing any press related material from its server. While it retains the right to play all music that has been released through , broadcast all music that has been released through and graphically or historically include the work in its discography present at http://, or not. 2. Form @@ -87,7 +47,4 @@ http://, or not. FOOTNOTE: -This contract was written and designed by Set Hallström and you may -copy it, use it, change it, screw it, eat it, feed it, make it better -or worse. However The basspistol Spirit is Unique: impossible to copy -fully! +This contract was written and designed by Set Hallström and you may copy it, use it, change it, screw it, eat it, feed it, make it better or worse. However The basspistol Spirit is Unique: impossible to copy fully! From 2ade108f8c02cbffdd0dcdb1ee1eebcd9d96e272 Mon Sep 17 00:00:00 2001 From: Set Hallstrom Date: Wed, 8 May 2013 16:27:59 +0300 Subject: [PATCH 03/10] Update membership_contract.txt --- membership_contract.txt | 57 +++++++++++++++++++++++++++++++---------- 1 file changed, 44 insertions(+), 13 deletions(-) diff --git a/membership_contract.txt b/membership_contract.txt index 158180d..36aeceb 100644 --- a/membership_contract.txt +++ b/membership_contract.txt @@ -8,38 +8,68 @@ I. Basics When signing this document, the Artists consents and proudly acknowledge: - A) That he/she/they is/are a member of the syndicate, Artist community and organization. - B) That he/she/they trust to work for the betterment of music and the art of music, while promoting their work. - C) Finally, that the beauty in this contract is the mutual respect and freedom given between and the Artist(s): THIS CONTRACT IS NONE EXCLUSIVE. You remain free to move without . remains free to move without you. + A) That he/she/they is/are a member of the syndicate, +Artist community and organization. + B) That he/she/they trust to work for the betterment +of music and the art of music, while promoting their work. + C) Finally, that the beauty in this contract is the mutual respect and freedom +given between and the Artist(s): THIS CONTRACT IS NONE +EXCLUSIVE. You remain free to move without . remains free to move without you. II. Rights agreements and overstandings. ---------------------------------------- 1. Recordings: - A) All the rights, including executive rights of the music belong to the Artist. The Artist may use his work in the ways it can imagine or need. However the use of this right may not interfere with the marketplaces sorted by , without a 12 month pre-notification. In clear text, as the Artist you cannot sell your record in a form is already selling it in, until 12 month after you asked basspitsol.com to stop selling it. This is only to avoid doubloons. - B) The percentage taken on physical releases (read vinyl, CD, or prestidigital objects) has to be agreed before release date and is set between the Artist and depending on the financial investments made by the Artist self. However may only take enough from the benefit genreated to cover eventual production costs. (read: we don't make profit) + A) All the rights, including executive rights of the music belong to the Artist. +The Artist may use his work in the ways it can imagine or need. However the use of this +right may not interfere with the marketplaces sorted by , +without a 12 month pre-notification. In clear text, as the Artist you cannot sell its +record in a form is already selling it in, until 12 month after +it has asked basspitsol.com to stop selling it. This is only to avoid doubloons. + B) The percentage taken on physical releases (read vinyl, CD, or prestidigital objects) +has to be agreed before release date and is set between the Artist and +depending on the financial investments made by the Artist self. However +may only take enough from the benefit genreated to cover eventual production costs. +(read: we don't make profit) 2. Performances - A) In the case where an Artist finds a gig on its own or through another agency. The Artist has no financial obligation towards + A) In the case where an Artist finds a gig on its own or through another agency. The Artist +has no financial obligation towards B) has no obligation to find gigs to Artists. - C) Bellow 241 Euros benefit on gigs sorted by , the Artist keeps it all. takes a percentage of 17% on gigs sorted by generating more than 241 Euros benefit, after the following logistics costs have been covered: 1 meal per day, transport in and out and accommodation. This 17% will be used to reinvest in the Artists production on (CD, Vinyl, prestidigital, merch etc...) + C) Bellow 241 Euros benefit on gigs sorted by , the Artist keeps +it all. takes a percentage of 17% on gigs sorted by + generating more than 241 Euros benefit, after the following logistics +costs have been covered: 1 meal per day, transport in and out and accommodation. This 17% will +be used to reinvest in the Artists production on (CD, Vinyl, +prestidigital, merch etc...) 3. Promotion - A) has the right to use the signed Artists name and image in anyway it can figure as a profitable one to the Artist and the label. - B) The Artist proudly agrees to put the name of the label "" in written form in all promotional material. Given that this promotion is not serving the interest of another agency that explicitly want it to be omitted, or when the promotion for any reason + A) has the right to use the signed Artists name and image in +anyway it can figure as a profitable one to the Artist and the label. + B) The Artist proudly agrees to put the name of the label "" in +written form in all promotional material. Given that this promotion is not serving the interest +of another agency that explicitly want it to be omitted, or when the promotion for any reason could harm the image of as an organization focusing on quality music. - C) The Artist understands the importance to communicate future gig dates and takes the responsibility to inform of his/her/their movements. + C) The Artist understands the importance to communicate future gig dates and takes the +responsibility to inform of his/her/their movements. III. Duration of the contract and form. --------------------------------------- 1. Duration - This contract last from the day signed to eternity, and can be canceled by notifying of the desire to leave to label 12 months in advance. However, In the rare but plausible case where the Artist wouldn't like to be associated with the label anymore. - accepts to stop selling the music, and removing any press related material from its server. While it retains the right to play all music that has been released through , broadcast all music that has been released through and graphically or historically include the work in its discography present at http://, or not. + This contract last from the day signed to eternity, and can be canceled by notifying + of the desire to leave to label 12 months in advance. However, In the +rare but plausible case where the Artist wouldn't like to be associated with the label anymore. + accepts to stop selling the music, and removing any press related material +from its server. While it retains the right to play all music that has been released through +, broadcast all music that has been released through +and graphically or historically include the work in its discography present at +http://, or not. 2. Form @@ -47,4 +77,5 @@ III. Duration of the contract and form. FOOTNOTE: -This contract was written and designed by Set Hallström and you may copy it, use it, change it, screw it, eat it, feed it, make it better or worse. However The basspistol Spirit is Unique: impossible to copy fully! +This contract was written and designed by Set Hallström and you may copy it, use it, change it, screw it, +eat it, feed it, make it better or worse. However The basspistol Spirit is Unique: impossible to copy fully! From 31cdafbd2b075e9343a36483934a566014e014ac Mon Sep 17 00:00:00 2001 From: Set Hallstrom Date: Wed, 8 May 2013 16:28:41 +0300 Subject: [PATCH 04/10] Update membership_contract.txt --- membership_contract.txt | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/membership_contract.txt b/membership_contract.txt index 36aeceb..b125be5 100644 --- a/membership_contract.txt +++ b/membership_contract.txt @@ -23,7 +23,7 @@ II. Rights agreements and overstandings. 1. Recordings: A) All the rights, including executive rights of the music belong to the Artist. -The Artist may use his work in the ways it can imagine or need. However the use of this +The Artist may use its work in the ways it can imagine or need. However the use of this right may not interfere with the marketplaces sorted by , without a 12 month pre-notification. In clear text, as the Artist you cannot sell its record in a form is already selling it in, until 12 month after From fca065d34e869248dc41f05b8264204f68ff9c1f Mon Sep 17 00:00:00 2001 From: Set Hallstrom Date: Fri, 25 Oct 2013 10:26:24 +0200 Subject: [PATCH 05/10] Update membership_contract.txt typos and pronoms --- membership_contract.txt | 4 ++-- 1 file changed, 2 insertions(+), 2 deletions(-) diff --git a/membership_contract.txt b/membership_contract.txt index b125be5..a0a1915 100644 --- a/membership_contract.txt +++ b/membership_contract.txt @@ -63,7 +63,7 @@ III. Duration of the contract and form. 1. Duration This contract last from the day signed to eternity, and can be canceled by notifying - of the desire to leave to label 12 months in advance. However, In the + of the desire to leave the syndicate 12 months in advance. However, In the rare but plausible case where the Artist wouldn't like to be associated with the label anymore. accepts to stop selling the music, and removing any press related material from its server. While it retains the right to play all music that has been released through @@ -73,7 +73,7 @@ http://, or not. 2. Form - The Artist may sign with his blood, but it is not mandatory. + The Artist may sign with its blood, but it is not mandatory. FOOTNOTE: From 735b236151144853c3ffcb513527aad534d43b35 Mon Sep 17 00:00:00 2001 From: Set Hallstrom Date: Fri, 25 Oct 2013 10:27:14 +0200 Subject: [PATCH 06/10] Update membership_contract.txt censor the cocky bottom line :) --- membership_contract.txt | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/membership_contract.txt b/membership_contract.txt index a0a1915..b661723 100644 --- a/membership_contract.txt +++ b/membership_contract.txt @@ -78,4 +78,4 @@ http://, or not. FOOTNOTE: This contract was written and designed by Set Hallström and you may copy it, use it, change it, screw it, -eat it, feed it, make it better or worse. However The basspistol Spirit is Unique: impossible to copy fully! +eat it, feed it, make it better or worse. From 3023287374f661d9c1f1f45918112fd1a1a6dbd6 Mon Sep 17 00:00:00 2001 From: Set Hallstrom Date: Fri, 25 Oct 2013 10:29:31 +0200 Subject: [PATCH 07/10] Update membership_contract.txt still find the word label in there... wtf... :D --- membership_contract.txt | 8 +++----- 1 file changed, 3 insertions(+), 5 deletions(-) diff --git a/membership_contract.txt b/membership_contract.txt index b661723..8c9fba5 100644 --- a/membership_contract.txt +++ b/membership_contract.txt @@ -49,11 +49,9 @@ prestidigital, merch etc...) 3. Promotion A) has the right to use the signed Artists name and image in -anyway it can figure as a profitable one to the Artist and the label. - B) The Artist proudly agrees to put the name of the label "" in -written form in all promotional material. Given that this promotion is not serving the interest -of another agency that explicitly want it to be omitted, or when the promotion for any reason -could harm the image of as an organization focusing on quality music. +anyway it can figure as a profitable one to the Artist and the Syndicate. + B) The Artist proudly agrees to put the name of the Syndicate in written form in all promotional material. Given that this promotion is not serving the interest +of another agency that explicitly want it to be omitted, or when the promotion for any reason could harm the image of as an organization focusing on quality music. C) The Artist understands the importance to communicate future gig dates and takes the responsibility to inform of his/her/their movements. From 5c3849e780f6d23af8e6d731fb99d5682ffeaef4 Mon Sep 17 00:00:00 2001 From: Set Hallstrom Date: Fri, 25 Oct 2013 10:30:11 +0200 Subject: [PATCH 08/10] Update membership_contract.txt typo --- membership_contract.txt | 6 ++++-- 1 file changed, 4 insertions(+), 2 deletions(-) diff --git a/membership_contract.txt b/membership_contract.txt index 8c9fba5..4c6d450 100644 --- a/membership_contract.txt +++ b/membership_contract.txt @@ -50,8 +50,10 @@ prestidigital, merch etc...) A) has the right to use the signed Artists name and image in anyway it can figure as a profitable one to the Artist and the Syndicate. - B) The Artist proudly agrees to put the name of the Syndicate in written form in all promotional material. Given that this promotion is not serving the interest -of another agency that explicitly want it to be omitted, or when the promotion for any reason could harm the image of as an organization focusing on quality music. + B) The Artist proudly agrees to put the name of the Syndicate in written form in all promotional + material. Given that this promotion is not serving the interest of another agency that explicitly + want it to be omitted, or when the promotion for any reason could harm the image of + as an organization focusing on quality music. C) The Artist understands the importance to communicate future gig dates and takes the responsibility to inform of his/her/their movements. From 8db1b33b46172ae59f916f062edf1eb8a297a1d8 Mon Sep 17 00:00:00 2001 From: Set Hallstrom Date: Fri, 14 Mar 2014 12:38:17 +0100 Subject: [PATCH 09/10] Update membership_contract.txt major update --- membership_contract.txt | 4 +--- 1 file changed, 1 insertion(+), 3 deletions(-) diff --git a/membership_contract.txt b/membership_contract.txt index 4c6d450..f07812a 100644 --- a/membership_contract.txt +++ b/membership_contract.txt @@ -25,9 +25,7 @@ II. Rights agreements and overstandings. A) All the rights, including executive rights of the music belong to the Artist. The Artist may use its work in the ways it can imagine or need. However the use of this right may not interfere with the marketplaces sorted by , -without a 12 month pre-notification. In clear text, as the Artist you cannot sell its -record in a form is already selling it in, until 12 month after -it has asked basspitsol.com to stop selling it. This is only to avoid doubloons. +without a 12 month pre-notification. B) The percentage taken on physical releases (read vinyl, CD, or prestidigital objects) has to be agreed before release date and is set between the Artist and depending on the financial investments made by the Artist self. However From acf5c79f44c79341452bb2289412febddd7882be Mon Sep 17 00:00:00 2001 From: =?UTF-8?q?Settoshi=20Tonami=20=F0=9F=8E=B7=F0=9F=90=9B?= Date: Tue, 18 Jul 2023 08:59:20 +0200 Subject: [PATCH 10/10] markdownify --- membership_contract.md | 52 +++++++++++++++++++++++++++ membership_contract.txt | 79 ----------------------------------------- 2 files changed, 52 insertions(+), 79 deletions(-) create mode 100644 membership_contract.md delete mode 100644 membership_contract.txt diff --git a/membership_contract.md b/membership_contract.md new file mode 100644 index 0000000..0dfade5 --- /dev/null +++ b/membership_contract.md @@ -0,0 +1,52 @@ +# ```` CONTRACT +----------------------------------- + +## Basics +--------- + +### Signing with ```` + +When signing this document, the Artists consents and proudly acknowledge: + +1. That he/she/they is/are a member of the `` syndicate, Artist community and organization. +1. That he/she/they trust `` to work for the betterment of music and the art of music, while promoting their work. +1. Finally, that the beauty in this contract is the mutual respect and freedom given between `` and the Artist(s): THIS CONTRACT IS NONE EXCLUSIVE. You remain free to move without ``. `` remains free to move without you. + +## Rights agreements and overstandings. +---------------------------------------- + +### Recordings: + +1. All the rights, including executive rights of the music belong to the Artist. The Artist may use its work in the ways it can imagine or need. However the use of this right may not interfere with the marketplaces sorted by ``, without a 12 month pre-notification. +1. The percentage taken on physical releases (read vinyl, CD, or prestidigital objects) has to be agreed before release date and is set between the Artist and `` depending on the financial investments made by the Artist self. However `` may only take enough from the benefit genreated to cover eventual production costs. (read: we don't make profit) + +### Performances + +1. In the case where an Artist finds a gig on its own or through another agency. The Artist has no financial obligation towards `` +1. `` has no obligation to find gigs to Artists. +1. Bellow 241 Euros benefit on gigs sorted by ``, the Artist keeps it all. `` takes a percentage of 17% on gigs sorted by `` generating more than 241 Euros benefit, after the following logistics +costs have been covered: 1 meal per day, transport in and out and accommodation. This 17% will be used to reinvest in the Artists production on `` (CD, Vinyl, prestidigital, merch etc...) + +### Promotion + +A) `` has the right to use the signed Artists name and image in anyway it can figure as a profitable one to the Artist and the Syndicate. +B) The Artist proudly agrees to put the name of the Syndicate in written form in all promotional material. Given that this promotion is not serving the interest of another agency that explicitly want it to be omitted, or when the promotion for any reason could harm the image of +`` as an organization focusing on quality music. +C) The Artist understands the importance to communicate future gig dates and takes the responsibility to inform `` of his/her/their movements. + +## Duration of the contract and form. +--------------------------------------- + +### Duration + +This contract last from the day signed to eternity, and can be canceled by notifying `` of the desire to leave the syndicate 12 months in advance. However, In the rare but plausible case where the Artist wouldn't like to be associated with the label anymore. +`` accepts to stop selling the music, and removing any press related material from its server. While it retains the right to play all music that has been released through ``, broadcast all music that has been released through `` and graphically or historically include the work in its discography present at `https://`, or not. + +### Form + +The Artist may sign with its blood, but it is not mandatory. + +FOOTNOTE: + +This contract was written and designed by Set Hallström and you may copy it, use it, change it, screw it, +eat it, feed it, make it better or worse. diff --git a/membership_contract.txt b/membership_contract.txt deleted file mode 100644 index f07812a..0000000 --- a/membership_contract.txt +++ /dev/null @@ -1,79 +0,0 @@ - CONTRACT ------------------------------------ - -I. Basics ---------- - -1. Signing with - -When signing this document, the Artists consents and proudly acknowledge: - - A) That he/she/they is/are a member of the syndicate, -Artist community and organization. - B) That he/she/they trust to work for the betterment -of music and the art of music, while promoting their work. - C) Finally, that the beauty in this contract is the mutual respect and freedom -given between and the Artist(s): THIS CONTRACT IS NONE -EXCLUSIVE. You remain free to move without . remains free to move without you. - -II. Rights agreements and overstandings. ----------------------------------------- - -1. Recordings: - - A) All the rights, including executive rights of the music belong to the Artist. -The Artist may use its work in the ways it can imagine or need. However the use of this -right may not interfere with the marketplaces sorted by , -without a 12 month pre-notification. - B) The percentage taken on physical releases (read vinyl, CD, or prestidigital objects) -has to be agreed before release date and is set between the Artist and -depending on the financial investments made by the Artist self. However -may only take enough from the benefit genreated to cover eventual production costs. -(read: we don't make profit) - -2. Performances - - A) In the case where an Artist finds a gig on its own or through another agency. The Artist -has no financial obligation towards - B) has no obligation to find gigs to Artists. - C) Bellow 241 Euros benefit on gigs sorted by , the Artist keeps -it all. takes a percentage of 17% on gigs sorted by - generating more than 241 Euros benefit, after the following logistics -costs have been covered: 1 meal per day, transport in and out and accommodation. This 17% will -be used to reinvest in the Artists production on (CD, Vinyl, -prestidigital, merch etc...) - -3. Promotion - - A) has the right to use the signed Artists name and image in -anyway it can figure as a profitable one to the Artist and the Syndicate. - B) The Artist proudly agrees to put the name of the Syndicate in written form in all promotional - material. Given that this promotion is not serving the interest of another agency that explicitly - want it to be omitted, or when the promotion for any reason could harm the image of - as an organization focusing on quality music. - C) The Artist understands the importance to communicate future gig dates and takes the -responsibility to inform of his/her/their movements. - -III. Duration of the contract and form. ---------------------------------------- - -1. Duration - - This contract last from the day signed to eternity, and can be canceled by notifying - of the desire to leave the syndicate 12 months in advance. However, In the -rare but plausible case where the Artist wouldn't like to be associated with the label anymore. - accepts to stop selling the music, and removing any press related material -from its server. While it retains the right to play all music that has been released through -, broadcast all music that has been released through -and graphically or historically include the work in its discography present at -http://, or not. - -2. Form - - The Artist may sign with its blood, but it is not mandatory. - - FOOTNOTE: - -This contract was written and designed by Set Hallström and you may copy it, use it, change it, screw it, -eat it, feed it, make it better or worse.