remove useless shit
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Set Hallstrom
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I"‘{"source"=>"/home/set/git/basspistol/basspistol.com", "destination"=>"/home/set/git/basspistol/basspistol.com/_site", "collections_dir"=>"", "cache_dir"=>".jekyll-cache", "plugins_dir"=>"_plugins", "layouts_dir"=>"_layouts", "data_dir"=>"_data", "includes_dir"=>"_includes", "collections"=>{"posts"=>{"output"=>true, "permalink"=>"/:categories/:year/:month/:day/:title/"}, "albums"=>{"output"=>true, "permalink"=>"/albums/:name/"}, "tracks"=>{"output"=>true, "permalink"=>"/tracks/:path/"}, "staff_members"=>{"_hide_content"=>nil}}, "safe"=>false, "include"=>[".htaccess"], "exclude"=>[".rvmrc", ".rbenv-version", "README.md", "Rakefile", "changelog.md", "*.*~", "color_chart.txt", "Gemfile", "Gemfile.lock", ".sass-cache", ".jekyll-cache", "gemfiles", "node_modules", "vendor/bundle/", "vendor/cache/", "vendor/gems/", "vendor/ruby/"], "keep_files"=>[".git", ".svn"], "encoding"=>"utf-8", "markdown_ext"=>"markdown,mkdown,mkdn,mkd,md", "strict_front_matter"=>false, "show_drafts"=>nil, "limit_posts"=>0, "future"=>false, "unpublished"=>false, "whitelist"=>[], "plugins"=>[], "markdown"=>"kramdown", "highlighter"=>"pygments", "lsi"=>false, "excerpt_separator"=>"\n\n", "incremental"=>false, "detach"=>false, "port"=>"4000", "host"=>"127.0.0.1", "baseurl"=>nil, "show_dir_listing"=>false, "permalink"=>"/:categories/:year/:month/:day/:title/", "paginate_path"=>"/page:num", "timezone"=>nil, "quiet"=>false, "verbose"=>false, "defaults"=>[{"scope"=>{"path"=>""}, "values"=>{"lang"=>"en"}}, {"scope"=>{"path"=>"", "type"=>"tracks"}, "values"=>{"layout"=>"track", "lang"=>"en", "seo"=>{"type"=>"AudioObject"}}}, {"scope"=>{"path"=>"", "type"=>"pages"}, "values"=>{"layout"=>"default", "lang"=>"en", "_options"=>{"image"=>{"width"=>1024, "height"=>720, "resize_style"=>"cover", "uploads_dir"=>"/images"}, "content"=>{"width"=>720, "height"=>720, "resize_style"=>"cover", "uploads_dir"=>"/images"}}}}, {"scope"=>{"path"=>"", "type"=>"posts"}, "values"=>{"layout"=>"post", "lang"=>"en", "permalink"=>"/:title/", "_options"=>{"image"=>{"width"=>1024, "height"=>720, "resize_style"=>"cover", "uploads_dir"=>"/images"}, "content"=>{"width"=>720, "height"=>720, "resize_style"=>"cover", "uploads_dir"=>"/images"}}}}], "liquid"=>{"error_mode"=>"warn", "strict_filters"=>false, "strict_variables"=>false}, "kramdown"=>{"auto_ids"=>true, "toc_levels"=>"1..6", "entity_output"=>"as_char", "smart_quotes"=>"lsquo,rsquo,ldquo,rdquo", "input"=>"GFM", "hard_wrap"=>false, "guess_lang"=>true, "footnote_nr"=>1, "show_warnings"=>false, "syntax_highlighter"=>"pygments", "syntax_highlighter_opts"=>{:guess_lang=>true}, "coderay"=>{}}, "url"=>"http://localhost:4000", "title"=>"Basspistol", "description"=>"The Outernational Music Syndicate. Established in 2010", "geo"=>{"timezone"=>"Europe/Stockholm", "lat"=>"59.333759", "long"=>"18.052554", "region"=>"SE-AB", "town"=>"Stockholm"}, "banner"=>"/assets/img/basspistol_est_2010_square_bluegreen.jpg", "icon"=>"/siteicon.png", "logo"=>"/siteicon.png", "mblabel"=>"0f83baf3-4f44-44db-9e30-d5c05d7b77b9", "author"=>{"name"=>"Basspistol"}, "publisher"=>{"name"=>"Basspistol", "domain"=>"basspistol.com", "mail"=>"info@basspistol.com"}, "social"=>{"name"=>"å¾’ Setto セット", "links"=>["https://www.instagram.com/basspistol", "https://twitter.com/bpist", "https://www.facebook.com/basspistolQC", "https://soundcloud.com/basspistol", "https://basspistol.tumblr.com", "https://archive.org/details/basspistol", "https://mastodon.art/@basspistol"]}, "production_url"=>"https://basspistol.com", "shop_url"=>"https://shop.basspistol.com/?ref=basspistol.com", "categories"=>["releases", "ramblings"], "sass"=>{"sass_dir"=>"_sass"}, "livereload"=>true, "livereload_port"=>35729, "serving"=>true, "watch"=>true}:ET
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I"ä<p>Los Ganglios is a Spanish PORC band (a conglomerate Punk Techno Rock and Cumbia) with a really strong and peculiar vibe. To some extend many of their tracks will feel plain weird to the non-Spanish speaking audience. But the videos they put out should appeal to anyone with a bit of humor and a taste for anti-aestethics and retro-computing.</p>
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<p>The way they merge the ordinary with the extraordinary is quite mesmerising. If you are lucky to find yourself in a city where <a href="http://losganglios.com/agenda/" title="Los Ganglios dates">they are touring,</a> you need to go: Live they burn down the roof using a simple and effective set-up of hardware electronics combined with guitars and a chanting choir of die-hard fans.</p>
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I"ö<h2 id="quis-custodiet-ipsos-custodes">Quis Custodiet Ipsos Custodes?</h2>
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<h3 id="the-paperplattune">The Paperplattune!</h3>
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<p>Since the future of free publications implicating links to data in a semi-regulated data-market is kinda uncertain, i was looking at alternatives for the webzurfs. During my quest, lured by a very cool-looking marketing bot, i chackked the platoon out.</p>
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<p>And you should too! Damn, The geeky level of this i feeeel! BUT NOT TOO MUCH! persona with g33k-values, in POWER! Crypto AF. Stupid smart level 7000.</p>
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<p>Dirty, yet slick production outlet! The quirks of their web-path is dark and probably scary for the non-techie. Funky links and sexy shells all the way. Dadang you should follow that whole rabbit hole!</p>
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:ET
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I"ó <p>Dj Criket makes his debut in 2003 alongside Rude Music Selection with Agent N and Mista B. Together they host numerous Reggae, Ragga and Dancehall parties in Geneva. From 2006 to 2007, Dj Criket is the official selector of the “Rude Boy Connectionâ€<C3A2> crew composed of 3 MCs; Bingy, Myai & Mista B. In 2009, he joins LTS Production where he produces the mixtape “Part One Old School Ragga Hip-Hop Styleâ€<C3A2>. Appreciated for his good mood and his overflowing energy, he travels the clubs of the city and collaborates with many local artists, including Unity Sound, Postman, X-IT Crew, Lil’ George, Majesty Sound, GC Sound and Little Lion Sound, Joka Sound, Skorseize, Dasstereo. Since 2010, Dj Criket has been moving towards old school hip-hop and continues to mix “strictly vinylâ€<C3A2> Boom-Bap, Gangsta Rap and G-Funk, bringing together East Coast as well as West Coast sounds.</p>
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<p>TRACKLIST:</p>
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<ol>
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<li>Nate Dogg - Nobody Does it Better</li>
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<li>Lil 1/2 Dead - Deadicated</li>
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<li>Daz Dillinger - OG Feat. Snoop Dogg, Nate Dogg</li>
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<li>Twins - Jump Ta This</li>
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<li>Dj Quik - Do I Love Her feat. Suga Free</li>
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<li>Down From Upstaires - Reason For Breathin’</li>
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<li>Snoop Dogg - Doggy Dogg World (Perfecto X-Rated Mix)</li>
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<li>Snoop Dogg - Gin & Juice (Remix)</li>
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<li>C-Funk - Get Off My Sack</li>
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<li>Foesum - Runnin’ Game (Remix)</li>
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<li>Paris - It’s Real (Extended Movment Mix)</li>
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<li>Dj Quik - Fandango feat. B-Real</li>
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<li>Dj Quik - Murda 1 Case feat. Pharoahe Monch and K.K</li>
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<li>Snoop Dogg - Groupie feat. Tha Dogg Pound, Nate Dogg, Warren G, Charlie Wilson</li>
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<li>Shug - Werster Hills Funk</li>
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<li>Dr. Dre - Let Me Ride : Remix Feat. Snoop, Das, Clinton, Lil 1/2 Dead</li>
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<li>Mr. X - Active Crew</li>
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<li>Kam - Benefits</li>
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<li>King Tee, Yo Yo, Mc Eight, B-Real, JD, Kam, Threat and Ice Cube. - Get The Fist</li>
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<li>Ganksta C - Stepchild</li>
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<li>Spice 1 - Playa Man</li>
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<li>Snoop Dogg - Boss’ Life’’ feat. Nate Dogg</li>
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<li>B.g. Knocc Out & Dresta - 50/50 Luv</li>
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<li>Bookie - If You Aint Feelin Us Feat. Playa Hamm</li>
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<li>Bad Azz - How We Get Down feat. The Angels</li>
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<li>Bookie - 602 - Feat Omega G & Agony</li>
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<li>George Clinton - Atomic Dog</li>
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<li>George Clinton - Atomic Dog Feat. Coolio</li>
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<li>Parliament - Flash Light</li>
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<li>Shug - Nuthing But Props</li>
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<li>Battlecat - Stone Cold Nut</li>
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<li>Dj Quik - Reprise (Medly For A “Vâ€<C3A2>)</li>
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<li>Paris - Same Ol’ Same Ol’ (Jet)</li>
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</ol>
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:ET
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I"ç<p>Jag Tippidi-tapade tagetBigidi-Botten och TaketKom och häng i mitt hus,Vi gör musik och sex-bus</p>
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<p>Nigidi-när kommer bakslagetSigidi-så skönt över huvudtaget.Kryp ner i mitt hus,Vi gör musik och sex-bus.</p>
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<p>Tjololo Baby kom hitSigidi-sexig dynamitDigidi-dansa i ditt rusVi gör musik och sex-bus</p>
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<p>Nigidi-nu är vi näraMigidi-musik i all äraAnigid-analogt brusVi gör musik och sex-bus</p>
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<p>Music and video produced with Free Software in Ubuntu Studio</p>
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:ET
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I"º<p>Delights from Chille, ValparaÃso City. Bill Kraneos is a rare and lean trap-constelation of Chille’s finest MCs.</p>
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<p>Music Production & Recording: <a href="https://instagram.com/keizenbeatz">Keizen</a><br />
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MCs: <a href="https://www.instagram.com/pablitoekipz">Ekipz</a>, <a href="https://www.instagram.com/aleskill1_">Aleskill</a><br />
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Graphic design: <a href="https://www.instagram.com/iamdidd95">@iamdidd95</a> <br /></p>
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:ET
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I"?<p>Every now in then, our dimension aligns with a thousand year old intergalactic tradition called #AcidDecember. When this happens, musicians worldwide are compulsively submitting tracks to a mysterious email address. These pieces of delicious music are then being published one by one on http://acid.datapop.se during December and beyond.</p>
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<p>We’re late on the news; it started the 1st of December and there are already 5 delicious tracks published. However, it would seem it is possible to contribute during the entire month. Are you going to send something in?</p>
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:ET
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I"Ö<p>The shocking news this morning that Sakrecoer puts a record out on Spotofy and iFumes!</p>
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<p>Critics are mindblown by this sudden change of strategy.</p>
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<p>Sakrecoer responded quickly on the mesh-web:</p>
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<p><i>“Well, it’s not like you can’t find the music for free on the internet anyways. I thought i’d do an experiment with mainstream platforms for a year and see where it goes.â€<C3A2></i></p>
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<p>Hit the link to find out what all the fuzz is about!</p>
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:ET
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I"Ž<p>An extremly lively piece of music for being an abiotism. This deep-house comes with a touch of variation that can only be found in the scandinavian forests. Reminicent of legendary tracks from John Tejada’s album <i>“Cleaning Sounds Is a Filthy Businessâ€<C3A2>,</i> it caries all the movements you need to express yourself on the dancefloor, withing a repeat-1 friendly format of 4 minutes.</p>
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:ET
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I"Î<h3 id="welcome-back-earthling">Welcome back earthling!</h3>
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<p><a href="https://youtu.be/OhSNpX18eLo?ref=TheOuternationalMusicSyndicateWasHere" title="Hijack - Back To Brixton">It’s been a long time coming</a>. 5 years of silence is…</p>
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<p>My name is <a href="https://set.hallstrom.ch?ref=TheOuternationalMusicSyndicateWasHere" title="Set's Website">Set</a>, i’m a co-founder of The Outernational Music Syndicate and currently the main contributor. I could make up all sorts of excuses as to why it’s been silent for so long, I could go on and ramble about the good ol’ past, and how together with a couple of people we founded this syndicate in a chat-conversation and made it real on January 7th 2010. Or how at first the idea was to create a booking agency that would be the exact opposite of everything that sucked with booking agencies. I could continue on about how we were given this awesome server by <a href="http://alsenet.com?ref=TheOuternationalMusicSyndicateWasHere" title="Alsenet.com">Alexander Poltorak</a> and started to distribute music. But all I will do in that regard is to emphasise <a href="http://alsenet.com?ref=TheOuternationalMusicSyndicateWasHere" title="Alsenet.com">Alsenet.com</a> because really <a href="http://alsenet.com?ref=TheOuternationalMusicSyndicateWasHere" title="Alsenet.com">Alsenet.com</a>, from our standpoint, deserves all the love we can give them. (To suport Alsenet, share their Software with your neighbour!)</p>
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<h3 id="however-this-post-is-about-the-present">However, this post is about the present</h3>
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<p>The present of Basspistol and eventually of music. The past and the future cannot be contained in a frame. They operate like dreams: their form, meaning and relevance are subjective and personal. They are visions that are oh so difficult to transmit. But the present… That! …is something we can hold on to. Something we can affect, in affect with effect. Today the music industry is ruled by a very strange set of data. It has different names but represents the same values: “likesâ€<C3A2>, “sharesâ€<C3A2>, “favoritsâ€<C3A2>, “retweetsâ€<C3A2>… As if music was a measurable artform on a human scale. This illusion is reinforced by the recurrent televised competitions where creativity is tamed, bent, violated and normalised for the greater consumer’s good. Countless web-logs are using the oldest tricks in the books: appeal to your guts, twinkle with your genitals and feed you with sugar. To find out which kind of sweetness you prefer, data is captured, statistics are analysed and the conclusion these lead to form the next publication. Don’t get me wrong, I’m an amateur SysAdmin, I LOVE stats. Making A-B tests to see what works on most of you or what doesn’t gives me a god-like feeling: control! But when it comes to Art, does it really matter what the fuck everyone thinks? Well, if you need to fill up that excel sheet with reassuring ciphers that bring food on your table, it probably does. But to me it doesn’t. And hence I see an opportunity in this, that is not given to any- and everyone, that I decided to capture: Spending free time and energy on something i enjoy doing. Namely listen to rare contemporary music from all azimuths and communicate what it makes me feel.</p>
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<h3 id="what-we-do-isnt-special">What we do isn’t special</h3>
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<p>It is how we do it that is different. You may say: “But this is just a blogâ€<C3A2> and you are right, it is. It is just like the nytimes.com or MTV.com; we write articles in a web-log, where we share links with pictures and videos, hoping you might want to read them. Except, well, it is hosted on <a href="http://alsenet.com?ref=TheOuternationalMusicSyndicateWasHere" title="Alsetnet.com">a provider</a> that respect your freedom, <a href="https://www.gandi.net?ref=TheOuternationalMusicSyndicateWasHere">the domain name</a> is provided by a registrar that respect your freedom, and all the <a href="https://en.wikipedia.org/wiki/Open-source_model?ref=TheOuternationalMusicSyndicateWasHere" title="Open Source Software">tools to build it</a> are forged by communities that respect your freedom. And the curators, like me, only care about one thing: the relation between the art and the human, when the artist is free to create and the human is free to feel. No “accept these cookiesâ€<C3A2> strings attached.</p>
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<p>It takes great detachement and economical freedom to create something personal; detachement from the expectations of society regarding what your personality should be, and economical freedom to enable the time and energy required to develop said personality. Thanks to the free software community and the dedication of fire-soul enhanced humanoids such as <a href="https://github.com/aengl?ref=TheOuternationalMusicSyndicateWasHere" title="Lynn Smeria's Github">Lynn Smeria</a> it has been possible to render this page on a very particular premiss, that is only given to humans: Friendship cultivation. The <a href="https://www.fsf.org/?ref=TheOuternationalMusicSyndicateWasHere" title="Free Software Foundation">free software community</a> enabled the machine that this page is rendered on, and Lynn created <a href="https://github.com/aengl/publikator?ref=TheOuternationalMusicSyndicateWasHere" title="Git-Repo for Jekyll enabled Music Album publications">The rusty metal heart of the Basspistol release machine</a>.</p>
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<h3 id="so-whats-next">So what’s next?</h3>
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<p>Hopefully in your company, a lot. But if i spoiled it now, would you come back tomorrow to read the next post?</p>
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<p>Yours, with friendly regards,</p>
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:ET
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I"¬<p>Synapset is a blitz collective formed in Barcelona, over a week in the beginning of April 2010 by Synapskollaps and reSet Sakrecoer. It is based on experimenting with the risk of taking opportunities in life and reproduce them with machines. It questions the space existing between people and how music interconnects them. This album was written, recorded, mixed and mastered in 7 days.</p>
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<p>Lyrics:</p>
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<h3 id="travel3">Travel3</h3>
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<p>Traveling by plane, traveling by shoe.<br />
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Traveling by mind, traveling by heart too.<br />
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Traveling away from you.<br />
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Welcome aboard spacessip EZJT7,<br />
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Destination Love<br />
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You will find the communicator, between your two eyes in your forehead<br />
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We wish you a pleasant journey,<br />
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And have sweet dreams.<br />
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ouu ouu …<br />
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Passenger of flight EZJT7, it’s time to wake up.<br />
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You may open the window, to the left of your heart.<br />
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As you can see, today is a sunny day in dreamland.<br />
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We hope you’ve joined the flight.<br />
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Please remember that in this country you have to love.<br />
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Wait till the sign shows, and you may leave.<br />
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We hope that next time you will fly with us again, back and forth.<br /></p>
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:ET
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I"Ó<p>PinGNU is a cybersoul banger of rank; a weird and wonderful mix between autotuned R’n’B, boombass and dope geekery. Blurring the lines of cooldom and cuteness, this track is a triptych love song addressed to all the FLOSS coder out there, in the Name of the GNU, The Pingu, and the Holy User.</p>
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<p>Message from Sakrecoer: “If you think this music is worth anything, please donate what you would reward me to the FSF or the LF</p>
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<p>Lyrics:</p>
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<p>I’m a little Pingu, riding on a GNU.Looking at the world, looking at you.Free at the core, i wonder why don’t you,Look at me the way i look at you.</p>
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<p>It would be so nice,if you could take me in.Your computer and i could change the world we’re in.Your freedom is being diluted.And your code is being polluted.</p>
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<p>I’m a big GNU with my little Pingu,Looking at the world, looking at you.Free at the core, i wonder why don’t you,Look at me the way i look at you.</p>
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<p>It would be so nice,if you could compute.Your freedom is not to dilute,Someone has taken your tool into dispute,This is what together we should refute.</p>
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<p>More skarecoer music: http://sakrecoer.com</p>
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<p>Baby GNU model by Nicolas Rougier, distributed under GNU General Public License.https://www.gnu.org/graphics/3dbabygnutux.en.html</p>
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<p>The music is published using a Non-Commercial Creative Commons license, but commercial use is granted to anyone producing commercial software distributed under GNU General Public License.</p>
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:ET
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I"½<p>In a dystopian future, will The Fraglebay survive on their 2billion project? Hiding in the bush, lurking in a rush, the 2 fragles fight together with ancient forest gods to reestablish the right to Kick’N’Base!</p>
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<p>This High-End, Professional very expensive Movie was made using GPL Software.</p>
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<p>Costume design; Jean-Gaul Paultier
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Make-Up: Amela Panderson
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Camera: Uncle Flying Linux
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Art-Direction: Cipaso
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Cathering: Girardet</p>
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:ET
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I"ª<p>This record got tremendous attention in the middle east capital cities.A journey from one end of the Kick’N’Base musical genre spectrum to the other, this record was produced during 2010 and was intended for kangaroos and happy ravers.</p>
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<p>Credits</p>
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<p>(1) feat science futurst David Apfel<br />
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More from Sakrecoer: http://sakrecoer.com/simio<br />
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More From Tikov: http://tikov.com<br />
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Booking inquiries info@basspistol.com<br />
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<br />
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This records was published fall of 2010 under a Creative Commons.<br />
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Attribution-NonCommercial-ShareAlike 3.0 Unported License. (BY-NC-SA)<br />
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See http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode for details.</p>
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:ET
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I"d<h2 id="cms">CMS</h2>
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|
||||
<p>Build with <a href="https://jekyllrb.com/" target="_blank">Jekyll</a><br />Using <a href="https://github.com/terminalnetwork/publikator" target="_blank">Publikator</a> the rusty metal heart of the Basspistol release machine developed by <a href="https://github.com/terminalnetwork/publikator/commits?author=aengl" target="_blank">aengl.</a><br />Facilitated with <a href="https://cloudcannon.com/" target="_blank">CloudCannon, the cloud CMS for Jekyll</a><br />Hosted and served by <a href="https://basspistol.com" target="_blank">Basspistol</a> and <a href="https://www.alsenet.com" target="_blank">Alsenet</a></p>
|
||||
|
||||
<h2 id="framework">Framework</h2>
|
||||
|
||||
<p>Based on <em>Story</em> by <a href="https://html5up.net" target="_blank">html5up.net</a> | @ajlkn Free for personal and commercial use under the CCA 3.0 <a href="https://html5up.net/license" target="_blank">license</a></p>
|
||||
|
||||
<h2 id="artwork">Artwork</h2>
|
||||
|
||||
<ul>
|
||||
<li>404 Photo by <a href="https://unsplash.com/@badgerblack?utm_source=unsplash&utm_medium=referral&utm_content=creditCopyText" target="_blank">Kaur Kristjan</a></li>
|
||||
</ul>
|
||||
:ET
|
||||
|
|
@ -1,8 +0,0 @@
|
|||
I"ù<p>Inspired by the Spanish city’s hectic nightlife, its legendary night-clubs and house venues such as The Moog, our infamously talented Doctor produced his own approach to the rich jungle of Catalan minimal tehcno. Homeopathic and vital, this LP is a journey into the self, a trip into your own body and a healthy neurotic cleansing.</p>
|
||||
|
||||
<p>Credtis</p>
|
||||
<p>More from Dr. Tikov: https://www.tikov.com <br />
|
||||
Booking inquiries info@basspistol.com<br />
|
||||
<br />
|
||||
This records was published fall of 2011</p>
|
||||
:ET
|
||||
|
|
@ -1,101 +0,0 @@
|
|||
I"A3<p>To improve our marketing efforts, we at Basspistol sometimes place small data files called cookies on your device. However this site will work perfectly without them. We do however use anonymised analytics of the site-usage regardless of cookies (see bellow if you want to opt out of this too) This usage-data contain no identifiable information.</p>
|
||||
<h2>What are cookies?</h2>
|
||||
<p>A cookie is a small text file that a website stores on your computer or mobile device when you visit the site.</p>
|
||||
<ul>
|
||||
<li><strong>First party cookies</strong> are cookies set by the website you are visiting. Only that website can read them. In addition, a website might potentially use external services, which also set their own cookies, known as <strong>third-party cookies</strong>.</li>
|
||||
<li><strong>Persistent cookies</strong> are cookies saved on your computer and that are not deleted automatically when you quit your browser, <strong>unlike a session cookie</strong>, which is deleted when you quit your browser.</li>
|
||||
</ul>
|
||||
<p>Every time you visit the websites managed by the Basspistol, you will be prompted to <strong>accept or refuse cookies</strong>.<br />The purpose is to enable the site to remember your preferences for a certain period of time.<br />That way, <strong>you do not have to re-enter them</strong> when browsing around the site during the same visit.<br />Cookies can also be used to establish anonymised statistics about the browsing experience on our sites. However, if you do not dismiss the cookie-banner, no cookies will be placed in your browser but we will still be able to see your anonymized actions on this website.</p>
|
||||
<h2>How do we use cookies?</h2>
|
||||
<p>The websites managed by the Basspistol mostly use <strong>first-party cookies</strong>. These are cookies set and controlled by the Basspistol, not by any external organisation.<br />However, to view some of our pages, you will have to accept cookies from external organisations.</p>
|
||||
<p>The <strong>2 types of first-party cookie</strong> we use are to:</p>
|
||||
<ul>
|
||||
<li>store visitor preferences</li>
|
||||
<li>gather analytics data (about user behaviour).</li>
|
||||
</ul>
|
||||
<h3>1. Visitor preferences</h3>
|
||||
<p>This one is set by us. It is only placed if you dismiss the cookie-banner by either chosing to help or declining to help. They remember:</p>
|
||||
<ul>
|
||||
<li>if you have agreed to (or refused) this site’s cookie policy</li>
|
||||
<li>if you have already replied to our survey pop-up (about how helpful the site content was) – so you will not be asked again.</li>
|
||||
</ul>
|
||||
<p><strong>Visitor preferences cookies</strong> are:</p>
|
||||
<p><strong>Name</strong>: cookie-notice-dissmissed<strong><br />Services</strong>: Cookie consent kit<strong><br />Purpose</strong>: Stores your cookie preferences (so you will not be asked again) This cookie is only placed if you accept or decline to help improve our marketing via the cookie-banner buttons.<br /><strong>Cookie type and duration:</strong> First-party session cookie deleted after 31 days<strong></strong></p>
|
||||
<h3>2. Analytics cookies</h3>
|
||||
<p>We use these purely for internal research on how we can improve the service we provide for all our users.<br />The cookies simply assess how you interact with our website – as an anonymous user (they <strong>data gathered does not identify you personally</strong>).<br />Also, this data is <strong>not shared with any third parties</strong> or used for any other purpose. The anonymised statistics could be shared with contractors working on communication projects under contractual agreement with the Basspistol.<br />However, you are <strong>free to refuse</strong> these types of cookies –simply let the cookie banner you see in the foot of all pages be displayed</p>
|
||||
<p><strong>Analytics cookies</strong> are:</p>
|
||||
<p><strong>Name</strong>: _pk_id#<strong><br />Services</strong>: Corporate web analytics service, (Matomo open source software)<strong><br />Purpose</strong>: Recognises website visitors (<strong>anonymously</strong> – no personal information is collected on the user)<strong><br />Cookie type and duration</strong>: First-party persistent cookie, 13 months</p>
|
||||
<p><strong>Name</strong>: _pk_ses#<strong><br />Services</strong>: Corporate web analytics service, (Matomo open source software<strong>)<br />Purpose</strong>: Identifies the pages viewed by the same user during the same visit. (<strong>anonymously</strong> – no personal information is collected on the user)<strong><br />Cookie type and duration</strong>: First-party persistent cookie, 30 minutes</p>
|
||||
<h2>Third-party cookies</h2>
|
||||
<p>Some of our pages display content from external providers, e.g. YouTube, Facebook and Twitter.<br />To view this third-party content, you first have to accept their specific terms and conditions. This includes their cookie policies, which we have no control over.<br />But if you do not view this content, no third-party cookies are installed on your device.</p>
|
||||
<h3>Third-party providers that may found on this website</h3>
|
||||
<ul>
|
||||
<li><a target="_blank" href="https://www.youtube.com/t/terms">YouTube</a></li>
|
||||
<li><a target="_blank" href="https://archive.org/about/terms.php">Internet Archive</a></li>
|
||||
<li><a target="_blank" href="https://www.scribblelive.com/legal/terms-of-use/">ScribbleLive</a></li>
|
||||
<li><a href="https://www.google.com/intl/en_be/help/terms_maps/">Google Maps</a></li>
|
||||
<li><a target="_blank" href="https://twitter.com/en/tos?wcmmode=disabled#intlTerms">Twitter</a></li>
|
||||
<li><a target="_blank" href="https://www.tv1.eu/en/datenschutz/">TV1</a></li>
|
||||
<li><a target="_blank" href="https://vimeo.com/terms">Vimeo</a></li>
|
||||
<li><a target="_blank" href="https://www.microsoft.com/en/servicesagreement/">Microsoft</a></li>
|
||||
<li><a target="_blank" href="https://www.facebook.com/legal/terms">Facebook</a></li>
|
||||
<li><a target="_blank" href="https://policies.google.com/terms?hl=en&gl=be">Google</a></li>
|
||||
<li><a target="_blank" href="https://www.linkedin.com/legal/user-agreement">LinkedIn</a></li>
|
||||
<li><a target="_blank" href="https://livestream.com/legal/terms">Livestream</a></li>
|
||||
<li><a target="_blank" href="https://soundcloud.com/pages/privacy">SoundCloud</a></li>
|
||||
<li><a target="_blank" href="http://www.europarl.europa.eu/portal/en/legal-notice">European Parliament</a></li>
|
||||
</ul>
|
||||
<p>These third-party services are outside of the control of the Basspistol. Providers may, at any time, change their terms of service, purpose and use of cookies, etc.</p>
|
||||
<h2>How can you manage cookies?</h2>
|
||||
<p>You can <strong>manage/delete</strong> cookies as you wish - for details, see <a target="_blank" href="https://www.aboutcookies.org/">aboutcookies.org</a></p>
|
||||
<h3>Removing cookies from your device</h3>
|
||||
<p>You can delete all cookies that are already on your device by clearing the browsing history of your browser. This will remove all cookies from all websites you have visited.<br />Be aware though that you may also lose some saved information (e.g. saved login details, site preferences).</p>
|
||||
<h3>Managing site-specific cookies</h3>
|
||||
<p>For more detailed control over site-specific cookies, check the privacy and cookie settings in your preferred browser.</p>
|
||||
<h3>Blocking cookies</h3>
|
||||
<p>You can set most modern browsers to prevent any cookies being placed on your device, but you may then have to manually adjust some preferences every time you visit a site/page. And some services and functionalities may not work properly at all (e.g. profile logging-in).</p>
|
||||
<h3>Opting out of all of log-analytics</h3>
|
||||
<p>(if you can't see a dialogue box here, you are already opted out by your browser and/or any of it's add-ons)<br /><br /><iframe style="border: 0; height: 300px; width: 300px;" src="https://terminalnetwork.matomo.cloud/index.php?module=CoreAdminHome&action=optOut&language=en&backgroundColor=000000&fontColor=ffffff&fontSize=&fontFamily=sans-serif"></iframe></p>
|
||||
|
||||
<h2 id="privacythingy">Personal data protection</h2>
|
||||
<p>Basspistol is committed to user privacy.</p>
|
||||
<p>The policy on protection of individuals with regard to the processing of personal data by Basspistol is based on <a href="https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=CELEX:32018R1725">Regulation (EU) 2018/1725</a> of the European Parliament and Council of 23 October 2018 on the protection of natural persons with regard to the processing of personal data by Basspistol and on the free movement of such data, and repealing Regulation (EC) No 45/2001 and Decision No 1247/2002/EC.</p>
|
||||
<p>This general policy covers the Basspistol's family of websites, within the basspistol.com domain. Although you can browse through most of these websites without giving any personal information, in some cases information is required in order to provide the e-services you request. Websites that require such information treat it in full compliance with the regulation mentioned above and provide information about the use of your data in their specific privacy policy statements.</p>
|
||||
<p>In this respect:</p>
|
||||
<ul>
|
||||
<li>for each e-service, a controller determines the purposes and means of personal data processing and ensures conformity with the privacy policy</li>
|
||||
<li>within each website/e-service, a Data Protection Officer ensures that the provisions of the regulation are applied and advises controllers on fulfilling their obligations</li>
|
||||
</ul>
|
||||
<p>The Basspistol's family of websites, within the basspistol.com domain, provides links to third party sites. In order to use third party content on our websites, you may need to accept their specific terms and conditions, including their cookie policies, over which we have no control.</p>
|
||||
<h2>e-service</h2>
|
||||
<p>An e-service on basspistol.com is a service or resource made available on the Internet in order to improve the communication between people, customers, employees and businesses on the one hand and the Basspistol on the other hand.</p>
|
||||
<p>3 types of e-services are, or will be, offered by Basspistol :</p>
|
||||
<ul>
|
||||
<li>information services that provide people, media, businesses, administrations and others with access to information</li>
|
||||
<li>interactive communication services that allow better contact with people, businesses, civil society, customers and public bodies, in order to facilitate consultations and feedback</li>
|
||||
<li>services that allow access to all basic forms of transactions with Basspistol, such as recruitment, event enrolment, and acquisition of documents</li>
|
||||
</ul>
|
||||
<h3>Information contained in a specific privacy statement</h3>
|
||||
<p>A specific privacy policy statement will contain the following information about the use of your data</p>
|
||||
<ul>
|
||||
<li>what information is collected, for what purpose and the technical means by which Basspistol collects personal information in order to fulfill a specific purpose</li>
|
||||
<li>to whom your information is disclosed</li>
|
||||
<li>how you can access your information, verify its accuracy and, if necessary, correct it</li>
|
||||
<li>how long your data is kept</li>
|
||||
<li>what security measures are taken to safeguard your information against possible misuse or unauthorised access</li>
|
||||
<li>whom to contact if you have queries or complaints</li>
|
||||
</ul>
|
||||
<h3>Basspistol Analytics</h3>
|
||||
<p>Basspistol is the corporation that measures the effectiveness and efficiency of the basspistol.com site managed by the Basspistol.</p>
|
||||
<p>You are free to refuse the use of this service – either by letting the cookie banner that appears at the bottom of all pages you visit be, and using the settings provided above on this page.</p>
|
||||
<p>Basspistol manages its own web pages This is the page where you can manage your options.</p>
|
||||
<h3>Contacting Basspistol</h3>
|
||||
<p>Many web pages on basspistol.com have a contact button, which either sends an email on your behalf of activates your e-mail software and invites you to send your comments to a specific mailbox.</p>
|
||||
<p>When you send such a message, your personal data is collected only to the extent necessary to reply. If the management team of the mailbox is unable to answer your question, it will forward your e-mail to another service. You will be informed, via e-mail, about which service your question has been forwarded to.</p>
|
||||
<p>If you have any questions about the processing of your e-mail and related personal data, do not hesitate to include them in your message.</p>
|
||||
<h2>Safeguarding information</h2>
|
||||
<p>Collected personal data is stored and encrypted on a computer of the external subcontractor acting as processor, who must guarantee the data protection and confidentiality required by Regulation (EU) 2018/1725.</p>
|
||||
<h2>Verifying, modifying or deleting information</h2>
|
||||
<p>If you want to verify, modify or delete your personal data stored by the responsible controllers for the Basspistol website and its sub-sites, you can email the data controller for the Basspistol website at the address below. In your email, clearly state your request and include the URL of the website/webpages your request refers to.</p>
|
||||
<p>Email: <a href="mailto:info@basspistol.com">info@basspistol.com</a></p>
|
||||
:ET
|
||||
|
|
@ -1,5 +0,0 @@
|
|||
I"E<p>Synapset is a blitz-collective. Their album questions the space existing between people and how music interconnects them. It is based on experimenting with the risk of taking opportunities in life and reproduce them with machines. It’s core formation is Synapskollaps and reSet Sakrecoer, with special appearance by Dr.Tikov.</p>
|
||||
|
||||
<p>Credits</p>
|
||||
<p>(1)Feat. Keys By Dr. Tikov, (2)Feat. Rap By Charlot, (3)Feat. Guidtar By Dr. Tikov, (4)Feat. Vox By Dr. Tikov, (5)Feat. Guitar By Tikov<br />Recorded In The FragglRock Studio v2.59, Barcelona<br />Cover photo by Patsy Boop, Edit by the Sakrecoer Design Robot<br />Mastered By Dr. Tikov<br />Synapskollaps http://trig.com/snps<br />Dr. Tikov http://tikov.com/<br />reSet Sakrecoer http://sakrecoer.com<br />© Synapset - 2010 - All rights Reserved - Creative minded Rightholders.</p>
|
||||
:ET
|
||||
|
|
@ -1,83 +0,0 @@
|
|||
I"s<p>http://www.frankyfresco.com
|
||||
FROM THE ALBUM “DUST AND SODA”
|
||||
http://basspistol.com/records/dust-and-soda/</p>
|
||||
|
||||
<p>VIDEO DIRECTED AND PRODUCED BY
|
||||
Set Hallström
|
||||
THANKS TO, IN NO PARTICULAR ORDER, THE DELIGHTFULL HELP FROM</p>
|
||||
|
||||
<p>3D MODELS</p>
|
||||
|
||||
<p>“Launchpad (Lunatics! Series)”
|
||||
by KuhnIndustries.
|
||||
Released under Creative Commons Attribution 3.0
|
||||
www.blendswap.com
|
||||
http://lunatics.tv</p>
|
||||
|
||||
<p>“Helicopter Rig”
|
||||
by Heinzelnisse.
|
||||
Released under Creative Commons Attribution 3.0
|
||||
www.blendswap.com</p>
|
||||
|
||||
<p>“Mac 10 machine-pistol”
|
||||
by Joe Mossman
|
||||
Released under Creative Commons Attribution 2.0
|
||||
www.blendswap.com</p>
|
||||
|
||||
<p>“BassQueen”
|
||||
By Set Hallström.
|
||||
Released in the Public Domain
|
||||
http://set.hallstrom.ch</p>
|
||||
|
||||
<p>“Cassette Tape” by comeinandburn
|
||||
Released under Creative Commons Zero (Public Domain)
|
||||
www.blendswap.com</p>
|
||||
|
||||
<p>“Computer Magnetic Tape Reader” by kolban
|
||||
Released under Creative Commons Zero (Public Domain)
|
||||
http://www.blendswap.com</p>
|
||||
|
||||
<p>“Laptop Keyboard” by rich33584
|
||||
Released under Creative Commons Attribution 3.0
|
||||
http://www.blendswap.com/blends/view/65604</p>
|
||||
|
||||
<p>TEXTURES</p>
|
||||
|
||||
<p>Grungemaps0043 by CGTextures<br />
|
||||
http://cgtextures.com/texview.php?id=12739</p>
|
||||
|
||||
<p>MetalLeaking0086 by CGTextures
|
||||
http://cgtextures.com/texview.php?id=105464</p>
|
||||
|
||||
<p>IMAGES</p>
|
||||
|
||||
<p>Sombrero Galaxy
|
||||
http://www.flickr.com/photos/bobfamiliar
|
||||
Released under Creative Commons Attribution 2.0</p>
|
||||
|
||||
<p>Mars
|
||||
by Kevin M. Gill
|
||||
http://www.flickr.com/photos/kevinmgill/8145809230
|
||||
Released under Creative Commons Attribution 2.0</p>
|
||||
|
||||
<p>GRAFFITI</p>
|
||||
|
||||
<p>NER, MARR, LEON, THED, FINSTA, ENCRYPTED, LEE DE LICIOUS & BLESS
|
||||
Released in the Public Domain</p>
|
||||
|
||||
<p>KNOWLEDGE BASE</p>
|
||||
|
||||
<p>Tim Bahrij
|
||||
Image Lucidity
|
||||
Blendercookie dot com
|
||||
BlenderGuru
|
||||
Sebastian König
|
||||
And All the supper tutors on youtube I forgot to subscribe to….</p>
|
||||
|
||||
<p>SOFTWARE</p>
|
||||
|
||||
<p>UbuntuStudio
|
||||
GIMP
|
||||
MakeHuman
|
||||
Blender3D</p>
|
||||
:ET
|
||||
|
|
@ -1,7 +0,0 @@
|
|||
I"T<p>An instrumental master piece! This record is of the kind that grows into you. Franky lives in Mexico and belongs to it’s active and conscious youth, taking position in his music. Something you can not only read in the titles of his tracks but also feel in the complexity of his arrangements. Like hymns to a Dusty Soda brand from a future far further west!</p>
|
||||
|
||||
<p>Credits</p>
|
||||
<p>All Music Written, performed, programmed, recorded, mixed, and arranged by Franky Fresco.<br />
|
||||
Cover Art by Ivan Quintero<br />
|
||||
©2010 - All Rights Reserved. - FrankyFresco - Creative minded right holders.</p>
|
||||
:ET
|
||||
|
|
@ -1,38 +0,0 @@
|
|||
I"- <p>A-WA is a band formed by 3 sisters who combine Yemenite folk singing with electronic dance music.</p>
|
||||
|
||||
<p>Lyrics: <br />
|
||||
حبيبي بكى اعياني, مبيش مثله حبيب ثاني حبيبي بكى اعياني, وكم رحله وخلاني حبيب قلبي ويا عيني عجب من عيبك مني عجب من عيبك مني, جهل ياكل ولا يهني, حبيب قلبي ويا عيني, عجب من عيبك مني من اول طلعة الفجر, حنق خيلي وسار يجري حنق خيلي وسار يجري, حنق يا ناس وما بدري, حبيب قلبي ويا عيني عجب من عيبك مني حبيب القلب اعياني , سنة وشهرين وما جاني سنة وشهرين وما جاني, يا ناس رحله وشجاني, حبيب قلبي ويا عيني عجب من عيبك مني لمن اشكي ويفهمني, لمن ابكي ويرحمني لمن ابكي ويرحمني, منو منكم يساعدني حبيب قلبي ويا عيني عجب من عيبك مني</p>
|
||||
|
||||
<p>Translation: <br />
|
||||
Love of my heart, my eyes <br />
|
||||
It is a wonder who has set you against me <br />
|
||||
He dared to eat but not be satisfied <br />
|
||||
And as the dawn rose <br />
|
||||
My love got upset and left running <br />
|
||||
My love got upset, o’ people!, and I am left unknowing <br />
|
||||
Love my of heart, my eyes… <br />
|
||||
My love has made my eyes cry <br />
|
||||
He rose and left me <br />
|
||||
And there is no other love like him Love of my heart, my eyes… <br />
|
||||
Love of my heart, my eyes <br />
|
||||
A year and a half has passed and he has not returned to me <br />
|
||||
O’ people, he has left and driven me mad <br />
|
||||
Love of my heart, my eyes… <br />
|
||||
To whom can I bemoan that will understand me? <br />
|
||||
To whom can I cry that will pity me? <br />
|
||||
Which of you will help me? Love of my heart, my eyes…<br /></p>
|
||||
|
||||
<p>Music credits:</p>
|
||||
|
||||
<p>Lyrics & Music - Traditional Yemenite Folk<br />
|
||||
Produced & Arranged by Tomer Yosef <br />
|
||||
Recording by Dan Zeitune <br />
|
||||
Vocals - Tair, Liron & Tagel Haim <br />
|
||||
Keyboards - Tom Darom <br />
|
||||
Drums - Tamir Muskat <br />
|
||||
Bass & Guitars - Itamar Ziegler <br />
|
||||
Electronic Drums & Percussion - Tomer Yosef <br />
|
||||
Mixed by Tamir Muskat @ Vibroeast Studio <br />
|
||||
Assistant engineer - Omri Amdo <br />
|
||||
Mastering by Shmulik Daniel @ Hook &High Mastering<br /></p>
|
||||
:ET
|
||||
|
|
@ -1,11 +0,0 @@
|
|||
I"T<p>A message from The FragleBay:<br />
|
||||
<br />
|
||||
From earth to your folder, we send you vibrant energy, defying the relative time of life. We wanted to hand you the key to inner-space and Invite you to Enter:<br />
|
||||
THE FRAGLEBAY<br />
|
||||
ON THE KEYBOARD<br />
|
||||
ON THE KEYBOARD<br />
|
||||
on the keyboard<br />
|
||||
on the keyb<br />
|
||||
<br />
|
||||
Stay Fragle!</p>
|
||||
:ET
|
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@ -1,19 +0,0 @@
|
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I"_<p>I’m waiting for better times
|
||||
I’m laying home in the sofa and waiting for better times.
|
||||
Why should i wait here? I can do something better with my life!
|
||||
I don’t want’ to lay here.
|
||||
I don’t want to lay here anymore,
|
||||
I go downtown and meet the buddies.
|
||||
We go to Årsta.
|
||||
Have a fallafel at Paniras Kebab
|
||||
Sitting in the square chillling.
|
||||
Then we pull some tags on the bench over there.
|
||||
Me and my buddies can do miracles.
|
||||
Together we can creatie something new
|
||||
You and me, common be good!
|
||||
You and me.
|
||||
You and me, we could do something!
|
||||
Should we do something?
|
||||
Yes!
|
||||
Should we wait for better times?</p>
|
||||
:ET
|
||||
|
|
@ -1,5 +0,0 @@
|
|||
I"-<p>In colourful soundscapes and lyrics, Sakrecoer narrates more than music.</p>
|
||||
|
||||
<p>Credits:<br />
|
||||
All Music Written, performed, programmed, recorded, mixed, and arranged by reSet Sakrecoer. Except:<br />(1). Featuring Gregoire Iwaniec On Guitar<br />(2). Featuring Don Miguel De Suecia On Lead Vocals & Lyrics<br />(3). Feat Soulfed On Guitar & Dr.Tikov on Synths.<br />Mastered by Gregoire Iwaniec, Except “Step Up”. Mastered by reSet Sakrecoer.<br />Cover Art by Trans Ritarn and reSet Sakrecoer<br /><br />This project was recorded between 2005 and 2010. It was made with love, for no particular reason. It is involving and dedicated to people. I hope you recognize yourself.<br />/reSet Sakrecoer<br /><br />©2010 - All Rights Reserved. - http://sakrecoer.com Creative minded right holders.</p>
|
||||
:ET
|
||||
|
|
@ -1,2 +0,0 @@
|
|||
I"
|
||||
:ET
|
||||
|
|
@ -1,16 +0,0 @@
|
|||
I"®<p>Recently, a <a href="https://soundcloud.com/gabbaboy?ref=TheOuternationalMusicSyndicateWasHere" title="Gabba Boy Soundlcoud">good friend</a> of mine snitched a link to me. A crew of yungsters from my home town. I’m no stranger to the leaners and their music. But listening to this I had to reflect a little around the movement that’s been here for a while now.</p>
|
||||
|
||||
<p>It seems to be easy for people of my generation to dismiss the Lean movement as lazy and unoriginal. I think it’s beautiful. While these yungsters tend to use networks controlled by Babylon such as YouLube, Instagrat and CloudSound, they use them so well that it sometimes feel like they actually run them. Yes, hiphop has changed, but the fetish for codes and idioms remains. This time the influences are broader though. The aesthetics comes from everywhere and no one seems to give the slightest ufck about copyright. How could I not applause that?</p>
|
||||
|
||||
<p>The way they conceive bands is radically different from how it use to be; Given how important the full experience has become, with video being the main mode of consuming entertainment, the camera-man and video editor has replaced the drummer. The make-up artists and hair dressers pushed of the keyboardist from the stage. The MC remains backed by the crew and elevated by the producers and their pirated music software. All of them jumping on stage during the concerts in front of a proud local crowd that knows the lyrics by heart.</p>
|
||||
|
||||
<p>Maybe the overused trap snare is there, maybe the wavy astethics and burner phones are there, maybe the phat blunt and the purple drank is there, maybe it’s all the same sound all over the globe. But so it was during the boombap and g-funk days. Same same but different codes. Things evolve, naturally.</p>
|
||||
|
||||
<p>I feel the leaners, are more inclusive then we were though. The attitude is welcoming any sort of style and body type. You can hear this music where ever you go in the world. And while they tend to sing in their native tongue, the same baseline of the codex is present everywhere: These yung people understand each other beyond borders in encompassing ways i’ve never seen before. Sure, in my days we had breakdance, turntablism and graffiti. But we also had a lot of taboos. Copying success was being an unoriginal copycat; a toy. In this movement, copycating is key. It’s like a cross bread between creative commons and memes with international unity sprinkled on top. You may say it is lyrically levelled to lowest common denominator. And I’ll agree to disagree: it’s levelled. Just about anyone can decide to do it. There are no more gate-keeping talent required. It’s all measured in how much you’ll dare to add your own personality to your jam, including your flaws. You don’t have to be pretty; instead you have to have a DIY brand. Preferably backed by hoard of yungsters waving the same brand on their swag or in a tattoo.</p>
|
||||
|
||||
<p><a href="https://www.youtube.com/channel/UCeJQNYmVGPtbmjfES7GgITA?ref=TheOuternationalMusicSyndicateWasHere" title="CLR Youtube Channel">CLR</a> caught my attention immediately. I’d been wondering who write those modern graffitis depicting LUX in Geneva because I think they set a new standard for style in the city. The videos contains images of places in Geneva where I would be at their age. But the angle they are showing is elevating these places to underground levels I wouldn’t have dreamed of at their age. Times are tougher in Switzerland. Geneva used to be full of alternativ space for creativity. There still is creativity, but the space is small, and while it’s a sad thing, it would seem that it has forced the newer generations to step up their game.</p>
|
||||
|
||||
<p>But don’t take my words for it. Just go ahead and make your own impressoin; listen to and download <a href="https://www.hauteculture.com/mixtape/28455/ratitude?ref=TheOuternationalMusicSyndicateWasHere" title="Ratitude on Haute Culture">Ratitude on HauteCulture</a></p>
|
||||
|
||||
<p>Regards,</p>
|
||||
:ET
|
||||
|
|
@ -1,6 +0,0 @@
|
|||
I" <p>徒 Setto セット is releasing on basspistol in 2019! First out is the 2 track EP “Satoshi Mon Ami”.</p>
|
||||
|
||||
<p>The 2 tracks of laid back cloud rap are tales of daily didigtal life-struggles. When day-to-day communication blurrs the line between the virtual and real. Being close to someone, without them knowing, anonymoulsy and obsesively thorugh a device. Decrypting interconnected sub-stories from every node in the graph and losing your mind on it.</p>
|
||||
|
||||
<p>What’s the latest story? FOMO to the max, The Fear Of Missing Out!</p>
|
||||
:ET
|
||||
|
|
@ -1,27 +0,0 @@
|
|||
I".
|
||||
<p>DEF CON is one of the world’s largest annual hacker conventions, held every year in Las Vegas, Nevada. Since 2013, SomaFM has provided the music for the DEF CON Chill room. That theme continues with SomaFM broadcasting this special year-round stream from San Francisco, hosted by the DJs who entertain the DEF CON 26 chill room this year in Vegas.</p>
|
||||
|
||||
<h1 id="def-con-dj-bios">DEF CON DJ Bios</h1>
|
||||
|
||||
<h2 id="kampf-def-con-resident">kampf, DEF CON Resident</h2>
|
||||
|
||||
<p>With over a decade of experience as a college radio DJ at KWCR on Nerd Show, kampf has waded long and deep through the muddied waters of electronic music, casting his rod time and again to obtain, then share the eclectic, the compelling, the sounds off the beaten path and those lesser know varieties or species. Also featured on Groovement.co.uk and UtahFM.org.
|
||||
Resident Chill Out Room and Lounge DJ for DEF CON 19 thru 22, Pool Party and Wall of Sheep. A veteran volunteer for the conference who is pleased to be working with SomaFM and providing music for the con once more.
|
||||
You can find kampf on Twitter, Mixcloud, Facebook and Vine.</p>
|
||||
|
||||
<h2 id="dj-merin-mc-resident-dj">DJ Merin MC, Resident DJ</h2>
|
||||
|
||||
<p>Merin has been involved in SomaFM from its inception. Her contributions include designing station logos, producing live events, partner marketing, photography, writing and editing site content, and helping curate the stations. She has DJ’d for SomaFM at Chillits, the How Weird Street Fair, and DEF CON.</p>
|
||||
|
||||
<h2 id="dj-pie-resident-dj">DJ Pie, Resident DJ</h2>
|
||||
|
||||
<p>Although my more recent gigs spinning metal and hiphop for the Bay Area Derby Girls would seem to indicate otherwise, I’m an oldschool bedroom and chillout party DJ with a soft spot for the clickier, crunchier side of downtempo. Having heard a lot about DEF CON from my coworkers during many years in the software industry, I’m especially pleased at this opportunity to attend and help provide a chill atmosphere.</p>
|
||||
|
||||
<h2 id="dj-jon-logan-resident-dj">DJ Jon Logan, Resident DJ</h2>
|
||||
|
||||
<p>Jon has been active in the chillout scene in San Francisco for over 15 years. As one of the co-founders of the legendary “Woom” deep chill parties, he also spend several years in China performing in clubs there.</p>
|
||||
|
||||
<h2 id="rusty-hodge-program--music-director">Rusty Hodge, Program & Music Director</h2>
|
||||
|
||||
<p>I program music for several SomaFM channels, and I’ve been following DEF CON from afar since the very first one. So I’ll be spinning a mix of downtempo/ambient/triphop/idm and late at night I’ll get more into space music and deep ambient.</p>
|
||||
:ET
|
||||
|
|
@ -1,6 +0,0 @@
|
|||
I"Ÿ<p>å¾’ Setto セット is at it again! This time with an amazing cover art illustration by the designer of the basspistol logo: <a href="https://ritarn.com/" target="_blank">Mattias “Ritarnâ€<C3A2> Lindström</a></p>
|
||||
|
||||
<p>While the A-side offers a sweet balade about taking social initiatives away from the the web, its b-side opens up for a new, dark voice. The story of a network misfit, finding it hard to cut through the noise of cats, selfies and political propaganda. But what if there was another space within that space? What if there was a place the strange could call a home? Well there is one, it’s nicknamed “Darkwebâ€<C3A2> and you might like it.</p>
|
||||
|
||||
<p><em>As dystopian as the present might seem on-line, there is always room for a strange future in the cypher. At the end of the tunnel through the flashy but controlled cyberspace we call the “Internetâ€<C3A2>, a light of hope for the underground is shining.</em></p>
|
||||
:ET
|
||||
|
|
@ -1,10 +0,0 @@
|
|||
I"e<p>With influences from the middle-east mythologies to the western post-modern occult organisations. Too catchy for being IDM, too harsh for the mainstream, it’s aim is to make you dance and reflect in the same instant. The title is a homage to his creator.</p>
|
||||
|
||||
<p>Credits</p>
|
||||
<p>More from Simio: https://sakrecoer.com/simio<br />
|
||||
Booking inquiries info@basspistol.com<br />
|
||||
<br />
|
||||
This records was published fall of 2012 under a Creative Commons.<br />
|
||||
Attribution-NonCommercial-ShareAlike 3.0 Unported License. (BY-NC-SA)<br />
|
||||
See http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode for details.</p>
|
||||
:ET
|
||||
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Reference in a new issue